Thomas the Tank Engine & Friends - 1981 Early Reel

Introduction

Alright so, several years ago, I bought and received a job lot of early Thomas & Friends videos and the like from an eBay seller. The auction's description mentioned that several of the videos were actually given to him prior to the release of the series on VHS, implying that the seller originally worked on the show in some way. Some of the early tapes he sent me were in relatively good condition (Considering they're almost thirty years old) and some are a little worse for wear, with missing boxes, labels, etc.

Some of the tapes had the original labels missing and had crudely-written replacement labels stuck to them. Other tapes had earlier versions of certain episodes with extra (or missing) sound effects, as well as short bits of footage that did not make it to the final versions of the episodes.

The video that grabbed my interest the most, however, was a video simply called "Early Reel", which I believe was filmed in the early 1980's, alongside the original pitch-episode "Down the Mine".

Now, "Down the Mine" was pitched to ITV before filming on the series properly began. Once it was green-lighted, Series 1 of Thomas & Friends was produced, and "Down the Mine" was re-shot to become the show's 25th episode, meaning that this video could not have been Britt Allcroft's pitch to the ITV network to get Thomas green-lit.

The Video

A very poor quality screenshot of the reel

Intrigued, I played the video before any of the others I received in the Job lot. The video started with a date displayed in the bottom right hand corner. It only appeared for a few seconds, and it said "5/6/1981" which would mean the 5th June, 1981. According to most sources, 1981 was the year filming began on the show.

After this, the title card appeared. As this was one of the earliest, if not the earliest "Thomas" videos to be completed, it made sense that the familiar theme tune, along with the famous scenes of Thomas bypassing a windmill and stopping at Ffarquhar station, was absent. Instead, a relatively plain title card was used, simply displaying the classic Thomas & Friends symbol shown at the end of all Series 1 and 2 episodes of Thomas & Friends. After a few seconds, it faded to black.

Ringo Starr was not present as the narrator. There was no narrator, the video contained no speech, merely sound effects, making it all the more unnerving.

The episode started out with Knapford Station being completely mobbed, with trains populating virtually every platform (As only 7 engines were featured in the first season, it was likely that one or two unmodified "Marklin Engines" were pulling some of the trains). A goods train (of trucks full of stone) was present in the goods platform, which was the platform closest to the viewer. The camera zoomed in to look more closely at the goods train, and we then saw Thomas back down on the train.

Thomas' model looked off in this "Early Reel". It was, presumably, the same model as the one used in the "Down the Mine" pitch, which is visible in a single scene in the broadcast version. Thomas' siderods were chunkier than the TV Series model. His wheels were also slightly smaller and his running plate was lower, obscuring part of his wheels. The thing I found creepy is that the engines' eyes didn't move in this. They were painted on, very much like the Troublesome Trucks, and characters like Terence and Caroline.

So Thomas, with his lifeless eyes, pulled out of the station and onto the open line. The puffing noise in this video were more realistic, as if recorded from real locomotives.

Further down the line, Thomas passed Percy. Again, his model was noticeably different to his model in the show itself. His tanks were less rounded and his whole look had a more industrial feel about it, similar to how he looked in some of the later Railway Series books. As the two engines passed each other, they whistled, their whistles sounding the same as they do on the show.

Immediately following this, Thomas got sent down the wrong line. We saw a shot of Thomas rolling down the wrong line with a surprised look on his face. It looked similar to the one on the show, except it was more detailed and seemed to convey more horror, as if Thomas was severely loathing the thought of what is to come.

I saw Thomas roll down a steep gradient, with the trucks surging against him. The shocked face from the last scene was still present. A level crossing was ahead of Thomas, which he immediately ran into and broke. To make matters worse, a car was on the level crossing at that point in time, which Thomas rammed into, sending it tumbling out of control.

A semi-mountainous set similar to the one from "Thomas in Trouble" (where Thomas is confronted by the policeman) was seen with Thomas in the far distance. The difference was that there were more rocks, ridges and cliffs, and less grass. A pair of derailed trucks were present on the line in front of Thomas. Thomas, unable to stop, smashed into the derailed trucks and flew off of the rails.

Thomas continued to roll along the ground (a thin piece of string was visible in a few scenes) until he tumbled off a rocky ledge. He fell all the way down the mountain cliff with a more unsettling face. It was similar to his "Eyes shut" face from the show, but conveyed intense fear and his teeth were gritted. While this was going on, a climatic orchestral piece was heard, which was likely to be a piece of stock music.

Thomas reached the bottom of the mountain and crashed into the rocky ground below. A terrible metallic crash could be heard, while Thomas' body shell exploded on contact with the ground, with bits such as whistles and handrails flying in several directions. A cinesound explosion sound effect was added for a more dramatic effect. Even worse than this was a pair of male voices letting out blood curdling shrieks, which I assume were Thomas' driver and fireman, either being killed or badly injured by the crash.

As the crash died down, the camera panned and I saw some of Thomas' remains, including the upturned, exploded body shell, as an ominous strings piece (again, probably stock music) was played. The face was gone, faded to a smokebox door. Flames were around the broken pieces of Thomas, and a broken-down train could faintly be seen in one shot- appearing to be coupled to Percy, whose face was obscured by its cab. You could faintly hear a male voice saying the Latin sentence "Feliciter est nemo nocere". Slowly, the scene faded to black.

On the black background, some text, in white, read "There's nothing quite like it", below the middle of the screen, in Rockwell. In the Railway Series "There's nothing quite like it" was the motto of the North Western Railway, the railway featured in the books and TV show. Following this was a copyright notice, "A Clearwater Features production for Britt Allcroft, Ltd. © Britt Allcroft (Thomas) Ltd. 1981". While the copyright date was displayed, the faint sound of steam hissing was audible, along with a faint, yet shrill sounding steam whistle, which sounded like a more realistic version of Thomas' whistle.

The screen remained blank for about thirty seconds. Slowly, it faded to a night scene. The colour was very washed out at this point. A rusty engine with Thomas' shape could be seen rolling in its own power along a run down branch line. I could only assume that the engine was a ghost Thomas or something similar. Thomas no longer had a face, but instead a regular smokebox door. The smokebox door wasn't secure, so it kept banging against Thomas' smokebox. Each time the door opened there was some sort of substance that was faintly visible inside Thomas' smokebox. I initially assumed this to be ash, but upon closer inspection it looked like some sort of rotting flesh. I still like to think that it's ash, however.

Throughout these night scenes, very little sound was present. During close-ups of the "Ghost Thomas", some awful grinding, squealing and clanking noises were heard.

The branch line terminates at a scrapyard. By this point, Thomas was rolling at a considerably slow pace, slower than usually seen on the early seasons of T&F. Oddly, most of the scrap models were not the regular scrap engines seen on the show. The scrap consisted largely of broken up road vehicles and the like. Thomas slinked into a damp siding. After stopping, a man- modelled in the same style as the series proper- holding a cutter's torch appeared, standing in front of the rusty Thomas. The camera panned down slowly whilst fading to black.

After about six seconds, the sound of birds chirping was audible. I was half-expecting the tape to take a more lighthearted approach.

I was wrong.

A black-on-white hand drawing faded into view. It was of a set of sidings with rows of steam engines that had been withdrawn from service. Having several books and magazines on British Railways in the final days of steam traction, I am used to this sort of scenario. However, the engines were completely dilapidated. Their frames were bent out of shape, various bits of the engines were cracked and dented, most engines were missing things like smokebox doors and buffers, and all the locos simply looked completely mauled. As I am something of a British Railway buff, I found this image to be a little upsetting, though I imagine that many people will be completely unfazed by it.

If you're a long-time follower of Thomas & Friends, or have children or younger siblings that are into the show, then you'll know that there are literally hundreds of characters in the series- even more if you count things such as the original Railway Series books and the magazines. This picture did not have hundreds of engines, but the choice of engines were interesting to say the least.

All of them represented real engine classes, some of which formed the bases of characters that weren't yet created. For example, there was a North Staffordshire Battery-Electric locomotive. Fairly little known until 2012 when it was brought out of obscurity by serving as the basis for the character "Stafford". Even more bizarre was the inclusion of two Manning Wardle L-class tank engines. Any fans of the series will know that both Billy and Charlie are based on this engine class.

Other engines were not used as a basis for any Thomas character. For example, the London, Tilbury and Southend Railway class 79. This engine class normally sports a Westinghouse pump, as seen in the linked image. The drawing showed the pump to be missing. However it had not been torched off, but rather it appeared to have been wrenched off, leaving a gaping hole in the smokebox. There were similar holes in the engine's boiler.And in the middle of the picture was Thomas himself, barely recognisable. His smokebox door had been broken right off, as had most of his cab and external parts. Some of his wheels were missing, his siderods were removed, and what little paint that had remained on the dilapidated, hole-ridden body shell was almost completely faded and obscured by rust.

As for sound, the chirping birds played throughout the showing of the drawing, about 27 seconds in total, along with the unmistakable sound of a Black 5 whistle. The whistle was long and drawn out, lasting for the whole showing of the image and still trailing after the image had faded to black. It would seem that the recording was from an engine that had been taken out of service and was being drained of steam, ready to be broken up. This made the image all the more unsettling. Partway through, the whistle almost seems to begin to sound pained.

I've always been somewhat unnerved by static captions or images. Especially if they're not accompanied by any text or music. I've never liked static TV idents used to signify the death of a Royal Family member, for example. This was no exception. The imagery and the soundtrack didn't help matters either.

After a while the whistle began to get a bit static-y. The image showed again for a split second, but now with a black-on-red colour scheme. It was not blood-red or anything, but rather a "perfect" red you'd expect to see as the default red for old editions of Microsoft Paint. The red quickly faded to a more brownish-yellowish hue, before fading away completely.

Aftermath

(TBA)